Horse Barbie: a memoir
(Book)
Author:
Status:
14 copies, 1 person is on the wait list.
Cary Regional - Biography
B ROCERO
Duraleigh Road - Biography
B ROCERO
East Regional - Biography
B ROCERO
Copies
Location
Call Number
Status
Cary Regional - Biography
B ROCERO
On Shelf
Duraleigh Road - Biography
B ROCERO
On Shelf
East Regional - Biography
B ROCERO
On Shelf
Green Road Community - Biography
B ROCERO
On Shelf
Morrisville Community - Biography
B ROCERO
On Shelf
North Regional - Biography
B ROCERO
On Shelf
North Regional - Biography
B ROCERO
On Shelf
Oberlin Regional - Biography
B ROCERO
On Shelf
Oberlin Regional - Biography
B ROCERO
On Shelf
Oberlin Regional - Biography
B ROCERO
On Shelf
Richard B Harrison - Biography
B ROCERO
On Shelf
Southeast Regional - Biography
B ROCERO
On Shelf
Wake Forest Community - Biography
B ROCERO
On Shelf
Wendell Community - Biography
B ROCERO
On Shelf
More Details
Published:
New York : The Dial Press, [2023].
Format:
Book
Edition:
First edition.
Physical Desc:
xvii, 300 pages, 8 unnumbered pages of plates : color illustrations ; 24 cm
Language:
English
ISBN:
9780593445884, 0593445880, 9780593445884
Notes
Description
"As a young femme growing up in Manila in the 1990s, Geena Rocero endured shouts of bakla, bakla!, a Filipino taunt aimed at her feminine sway, whenever she left the little universe of her eskinita. Eventually she found her place in trans pageants, events as widely attended and culturally significant as a national sport, going to high school by day and competing by night. When her competitors denigrated her with the nickname "horse barbie," due to her statuesque physique, tumbling hair, long neck, and dark skin, she leaned into the epithet, stepping onto stage with an undeniable charisma-part equine and all fashion. By seventeen, she was the Philippines' most prominent and highest-earning trans pageant queen. When she moved to the United States, Geena was able to change her name and gender marker on her documents, which wasn't-and still isn't-possible for trans people in the Philippines. But legal recognition didn't come with any guarantee of safety. In order to survive, Geena went stealth and hid her trans identity, gaining one type of freedom and truth at the expense of another. For a while, it worked. Within a few years she'd become an in-demand model, appearing in music videos, billboards, and magazine campaigns, and was hailed as the epitome of feminine beauty. But as her star rose, her sense of self eroded. She craved acceptance as her authentic self, yet had to remain eternally vigilant in order to protect her dream career. The tenuous, high-stakes double life finally led Geena to a breaking point when she had to decide how to reclaim the power of Horse Barbie once and for all: radiant, head held high, and unabashedly herself"--,Provided by publisher.
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Citations
APA Citation (style guide)
Rocero, G. (2023). Horse Barbie: a memoir. First edition. The Dial Press.
Chicago / Turabian - Author Date Citation (style guide)Rocero, Geena, 1983-. 2023. Horse Barbie: A Memoir. The Dial Press.
Chicago / Turabian - Humanities Citation (style guide)Rocero, Geena, 1983-, Horse Barbie: A Memoir. The Dial Press, 2023.
MLA Citation (style guide)Rocero, Geena. Horse Barbie: A Memoir. First edition. The Dial Press, 2023.
Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
Staff View
Grouped Work ID:
070352d5-dd2c-aa67-00e4-3f7d06377c81
Record Information
Last Horizon Extract Time | Apr 07, 2025 02:21:57 PM |
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Last File Modification Time | Apr 08, 2025 05:11:16 AM |
Last Grouped Work Modification Time | Apr 08, 2025 05:08:21 AM |
MARC Record
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520 | |a "As a young femme growing up in Manila in the 1990s, Geena Rocero endured shouts of bakla, bakla!, a Filipino taunt aimed at her feminine sway, whenever she left the little universe of her eskinita. Eventually she found her place in trans pageants, events as widely attended and culturally significant as a national sport, going to high school by day and competing by night. When her competitors denigrated her with the nickname "horse barbie," due to her statuesque physique, tumbling hair, long neck, and dark skin, she leaned into the epithet, stepping onto stage with an undeniable charisma-part equine and all fashion. By seventeen, she was the Philippines' most prominent and highest-earning trans pageant queen. When she moved to the United States, Geena was able to change her name and gender marker on her documents, which wasn't-and still isn't-possible for trans people in the Philippines. But legal recognition didn't come with any guarantee of safety. In order to survive, Geena went stealth and hid her trans identity, gaining one type of freedom and truth at the expense of another. For a while, it worked. Within a few years she'd become an in-demand model, appearing in music videos, billboards, and magazine campaigns, and was hailed as the epitome of feminine beauty. But as her star rose, her sense of self eroded. She craved acceptance as her authentic self, yet had to remain eternally vigilant in order to protect her dream career. The tenuous, high-stakes double life finally led Geena to a breaking point when she had to decide how to reclaim the power of Horse Barbie once and for all: radiant, head held high, and unabashedly herself"-- |c Provided by publisher. | ||
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