Well of souls: uncovering the banjo's hidden history
(Book)
Author:
Contributors:
Giddens, Rhiannon, 1977- writer of foreword.
Status:
11 copies, 1 person is on the wait list.
Athens Drive Community - Adult Non-Fiction
787.8 GADDY
North Regional - Adult Non-Fiction
787.8 GADDY
Northeast Regional - Adult Non-Fiction
787.8 GADDY
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Athens Drive Community - Adult Non-Fiction
787.8 GADDY
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North Regional - Adult Non-Fiction
787.8 GADDY
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North Regional - Adult Non-Fiction
787.8 GADDY
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Northeast Regional - Adult Non-Fiction
787.8 GADDY
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Oberlin Regional - Adult Non-Fiction
787.8 GADDY
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Oberlin Regional - Adult Non-Fiction
787.8 GADDY
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Oberlin Regional - Adult Non-Fiction
787.8 GADDY
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Oberlin Regional - Adult Non-Fiction
787.8 GADDY
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Richard B Harrison - Adult Non-Fiction
787.8 GADDY
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Southeast Regional - Adult Non-Fiction
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Southgate Community - Adult Non-Fiction
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More Details
Published:
New York : W.W. Norton & Company, Inc., [2022].
Format:
Book
Edition:
First edition.
Physical Desc:
xvii, 284 pages : illustrations ; 24 cm
Language:
English
ISBN:
9780393866803, 0393866807, 9780393866803
Notes
Bibliography
Includes bibliographical references and index.
Description
"An illuminating history of the banjo, revealing its origins at the crossroads of slavery, religion, and music. In an extraordinary story unfolding across two hundred years, Kristina Gaddy uncovers the banjo's key role in Black spirituality, ritual, and rebellion. Through meticulous research in diaries, letters, archives, and art, she traces the banjo's beginnings from the seventeenth century, when enslaved people of African descent created it from gourds or calabashes and wood. Gaddy shows how the enslaved carried this unique instrument as they were transported and sold by slaveowners throughout the Americas, to Suriname, the Caribbean, and the colonies that became U.S. states, including Louisiana, South Carolina, Maryland, and New York. African Americans came together at rituals where the banjo played an essential part. White governments, rightfully afraid that the gatherings could instigate revolt, outlawed them without success. In the mid-nineteenth century, Blackface minstrels appropriated the instrument for their bands, spawning a craze. Eventually the banjo became part of jazz, bluegrass, and country, its deepest history forgotten"--,Provided by publisher.
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Citations
APA Citation (style guide)
Gaddy, K. R., & Giddens, R. (2022). Well of souls: uncovering the banjo's hidden history. First edition. W.W. Norton & Company, Inc.
Chicago / Turabian - Author Date Citation (style guide)Gaddy, K. R. and Rhiannon Giddens. 2022. Well of Souls: Uncovering the Banjo's Hidden History. W.W. Norton & Company, Inc.
Chicago / Turabian - Humanities Citation (style guide)Gaddy, K. R. and Rhiannon Giddens, Well of Souls: Uncovering the Banjo's Hidden History. W.W. Norton & Company, Inc, 2022.
MLA Citation (style guide)Gaddy, K. R., and Rhiannon Giddens. Well of Souls: Uncovering the Banjo's Hidden History. First edition. W.W. Norton & Company, Inc, 2022.
Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
Staff View
Grouped Work ID:
e1cb4018-57fa-9f46-ffdf-d9fe524dcd08
Record Information
Last Horizon Extract Time | Jul 12, 2025 10:59:18 AM |
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Last File Modification Time | Jul 12, 2025 10:59:18 AM |
Last Grouped Work Modification Time | Jul 12, 2025 10:59:17 AM |
MARC Record
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245 | 1 | 0 | |a Well of souls : |b uncovering the banjo's hidden history / |c Kristina R. Gaddy. |
250 | |a First edition. | ||
264 | 1 | |a New York : |b W.W. Norton & Company, Inc., |c [2022] | |
300 | |a xvii, 284 pages : |b illustrations ; |c 24 cm | ||
336 | |a text |b txt |2 rdacontent | ||
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338 | |a volume |b nc |2 rdacarrier | ||
504 | |a Includes bibliographical references and index. | ||
520 | |a "An illuminating history of the banjo, revealing its origins at the crossroads of slavery, religion, and music. In an extraordinary story unfolding across two hundred years, Kristina Gaddy uncovers the banjo's key role in Black spirituality, ritual, and rebellion. Through meticulous research in diaries, letters, archives, and art, she traces the banjo's beginnings from the seventeenth century, when enslaved people of African descent created it from gourds or calabashes and wood. Gaddy shows how the enslaved carried this unique instrument as they were transported and sold by slaveowners throughout the Americas, to Suriname, the Caribbean, and the colonies that became U.S. states, including Louisiana, South Carolina, Maryland, and New York. African Americans came together at rituals where the banjo played an essential part. White governments, rightfully afraid that the gatherings could instigate revolt, outlawed them without success. In the mid-nineteenth century, Blackface minstrels appropriated the instrument for their bands, spawning a craze. Eventually the banjo became part of jazz, bluegrass, and country, its deepest history forgotten"-- |c Provided by publisher. | ||
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650 | 0 | |a Slaves |z America |x Social life and customs. | |
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