I'd like to say sorry, but there's no one to say sorry to: stories
(Book)
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Author:
Status:
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GRYNBERG
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GRYNBERG
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GRYNBERG
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More Details
Published:
New York : The New Press, [2022].
Format:
Book
Physical Desc:
136 pages ; 20 cm
Language:
Unknown
ISBN:
9781620976838, 1620976838, 1620976838, 9781620976838
Notes
General Note
Translation of: Rejwach.
Description
"Mikolaj Grynberg is a psychologist and photographer who has spent years collecting and publishing oral histories of Polish Jews. In his first work of fiction--a book that has been widely praised by critics and was shortlisted for Poland's top literary prize--Grynberg recrafts those histories into little jewels, fictionalized short stories with the ring of truth. Both biting and knowing, I'd Like to Say Sorry, but There's No One to Say Sorry To takes the form of first-person vignettes, through which Grynberg explores the daily lives and tensions within Poland between Jews and gentiles haunted by the Holocaust and its continuing presence. In "Unnecessary Trouble," a grandmother discloses on her deathbed that she is Jewish; she does not want to die without her family knowing. What is passed on to the family is fear and the struggle of what to do with this information. In "Cacophony," Jewish identity is explored through names, as Miron and his son Jurek demonstrate how heritage is both accepted and denied. In "My Five Jews," a non-Jewish narrator remembers five interactions with her Jewish countrymen, and her own anti-Semitism, ruefully noting that perhaps she was wrong and should apologize, but no one is left to say "I'm sorry" to. Each of the thirty-one stories is a dazzling and haunting mini-monologue that highlights a different facet of modern Poland's complex and difficult relationship with its Jewish past."--Provided by publisher.
Language
Text in English, translated from the Polish.
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Citations
APA Citation (style guide)
Grynberg, M. (2022). I'd like to say sorry, but there's no one to say sorry to: stories. The New Press.
Chicago / Turabian - Author Date Citation (style guide)Grynberg, Mikołaj. 2022. I'd Like to Say Sorry, but There's No One to Say Sorry To: Stories. The New Press.
Chicago / Turabian - Humanities Citation (style guide)Grynberg, Mikołaj, I'd Like to Say Sorry, but There's No One to Say Sorry To: Stories. The New Press, 2022.
MLA Citation (style guide)Grynberg, Mikołaj. I'd Like to Say Sorry, but There's No One to Say Sorry To: Stories. The New Press, 2022.
Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
Staff View
Grouped Work ID:
cfce9609-316c-3ab5-8090-365f50049779
Record Information
Last Horizon Extract Time | May 10, 2025 12:25:27 PM |
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Last File Modification Time | May 11, 2025 05:14:52 AM |
Last Grouped Work Modification Time | May 11, 2025 05:12:24 AM |
MARC Record
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245 | 1 | 0 | |a I'd like to say sorry, but there's no one to say sorry to : |b stories / |c Mikołaj Grynberg ; translated from the Polish by Sean Gasper Bye. |
246 | 3 | |a I would like to say sorry, but there is no one to say sorry to | |
264 | 1 | |a New York : |b The New Press, |c [2022] | |
264 | 4 | |c ©2021 | |
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546 | |a Text in English, translated from the Polish. | ||
500 | |a Translation of: Rejwach. | ||
520 | |a "Mikolaj Grynberg is a psychologist and photographer who has spent years collecting and publishing oral histories of Polish Jews. In his first work of fiction--a book that has been widely praised by critics and was shortlisted for Poland's top literary prize--Grynberg recrafts those histories into little jewels, fictionalized short stories with the ring of truth. Both biting and knowing, I'd Like to Say Sorry, but There's No One to Say Sorry To takes the form of first-person vignettes, through which Grynberg explores the daily lives and tensions within Poland between Jews and gentiles haunted by the Holocaust and its continuing presence. In "Unnecessary Trouble," a grandmother discloses on her deathbed that she is Jewish; she does not want to die without her family knowing. What is passed on to the family is fear and the struggle of what to do with this information. In "Cacophony," Jewish identity is explored through names, as Miron and his son Jurek demonstrate how heritage is both accepted and denied. In "My Five Jews," a non-Jewish narrator remembers five interactions with her Jewish countrymen, and her own anti-Semitism, ruefully noting that perhaps she was wrong and should apologize, but no one is left to say "I'm sorry" to. Each of the thirty-one stories is a dazzling and haunting mini-monologue that highlights a different facet of modern Poland's complex and difficult relationship with its Jewish past."--Provided by publisher. | ||
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