Puppet
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Published:
Candlewick Press 2024
Format:
Kindle Book, OverDrive Read
Street Date:
09/03/2024
Language:
English
ISBN:
9781536239966
ASIN:
B0CW1H1QVG
Accelerated Reader:
MG
Level 3.6, 4 Points

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Citations

APA Citation (style guide)

David Almond. (2024). Puppet. Candlewick Press.

Chicago / Turabian - Author Date Citation (style guide)

David Almond. 2024. Puppet. Candlewick Press.

Chicago / Turabian - Humanities Citation (style guide)

David Almond, Puppet. Candlewick Press, 2024.

MLA Citation (style guide)

David Almond. Puppet. Candlewick Press, 2024.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.

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Grouped Work ID:
3827f5da-155f-098d-760d-f896014be08c
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API Extraction Dates

Needs Update?:
No
Date Added:
Sep 26, 2024 17:09:06
Date Updated:
Sep 26, 2024 17:09:06
Last Metadata Check:
Jul 13, 2025 07:34:06
Last Metadata Change:
Jun 22, 2025 08:10:05
Last Availability Check:
Jul 13, 2025 07:34:07
Last Availability Change:
Apr 01, 2025 10:02:47
Last Grouped Work Modification Time:
Jul 15, 2025 05:08:30

OverDrive Product Record

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      • value: Friendship
      • value: growing up
      • value: Multigenerational
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      • value: Creativity
      • value: grief
      • value: Magic
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      • value: Belonging
      • value: fairy tales
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        I grew up in a large Catholic family in Felling-on-Tyne: four sisters and one brother. I always knew I'd be a writer —I wrote stories and stitched them into little books. I had an uncle who was a printer, and in his printing shop I learned my love of black words on white pages. I loved our local library and dreamed of seeing books with my name on the cover on its shelves. I also dreamed of playing for Newcastle United (and I still wait for the call!). There was much joy in my childhood, but also much sadness: a baby sister died when I was seven; my dad died when we were all still young; my mum was always seriously ill with arthritis. But it was a childhood, like all childhoods, that provided everything a writer needs, and it illuminates and informs everything I write.
        After school I read English and American literature. When I graduated I became a teacher — long holidays, short days, just perfect for a writer. After five years I gave up the job and lived in a commune in rural Norfolk where I wrote a long adult novel that was rejected by every U.K. publisher. I had two collections of short stories published by the tiny IRON Press. I started another adult novel, put it aside, and suddenly, out of the blue, I found myself writing Skellig. It was as if the story had been waiting for me, and once I began, it seemed to write itself. I hadn't expected to write a children's novel, but in some way it was the natural outcome of everything I'd done before, and was the stepping-stone to everything I've done since.
        For years, I was hardly published and hardly anyone knew about me apart from a handful of keen fans. And I made just about no money at all from writing. That didn't really matter to me. I'd keep on writing, no matter what. Then I wrote Skellig, and everything changed. I began to sell lots of books, to be translated into many languages, to travel, to win lots of prizes. I've written a number of novels after Skellig, including Kit's Wilderness, The Fire-Eaters, Clay and A Song for Ella Grey. There have been stage versions of the novels, and films and an opera are on their way.
        Three Things You Might Not Know About Me:
        1. I love Japanese food — except for the thing I was given once that looked like an alien's brain.
        2. My first TV appearance was as an altar boy in a televised mass when I was eleven.
        3. My grandfather was a bookie (he took bets on horse races). His advice? "Never bet." He also told me, "Never read novels. They're all just lies."

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title
Puppet
fullDescription

Writing in the tradition of Pinocchio, Hans Christian Anderson Award winner David Almond brings his ineffable touch to a warm and wistful story that shows anything is possible with imagination and trust.
"You're a mystery, aren't you, Puppet? But isn't everything a mystery? Not just you, but every single thing that exists."
What should a puppet master do when he's old and alone and all his puppets are gone? Silvester decides to make one last puppet. But this one is different. When the old man speaks to him, Puppet speaks back. And then he starts to walk . . . While Silvester shows Puppet the town, the playground, and other wonders the world holds, Puppet in turn helps Silvester to make a new friend and share his puppet-making skills with the next generation. With themes of compassion and creativity, threaded with David Almond's inimitable humor, this wonder-filled story of creation and the circle of life, illustrated with wordless black-and-white spreads by award-winning artist Lizzy Stewart, is destined to become a modern-day classic.

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shortDescription

Writing in the tradition of Pinocchio, Hans Christian Anderson Award winner David Almond brings his ineffable touch to a warm and wistful story that shows anything is possible with imagination and trust.
"You're a mystery, aren't you, Puppet? But isn't everything a mystery? Not just you, but every single thing that exists."
What should a puppet master do when he's old and alone and all his puppets are gone? Silvester decides to make one last puppet. But this one is different. When the old man speaks to him, Puppet speaks back. And then he starts to walk . . . While Silvester shows Puppet the town, the playground, and other wonders the world holds, Puppet in turn helps Silvester to make a new friend and share his puppet-making skills with the next generation. With themes of compassion and creativity, threaded with David Almond's inimitable humor, this wonder-filled story of creation and the circle of life, illustrated with wordless black-and-white...

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