Chronicles of a Lizard Nobody
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Published:
Candlewick Press 2024
Format:
Kindle Book, OverDrive Read
Street Date:
09/03/2024
Language:
English
ISBN:
9781536237412
ASIN:
B0CW1GPJM2
Accelerated Reader:
MG
Level 4.7, 3 Points

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Citations

APA Citation (style guide)

Patrick Ness. (2024). Chronicles of a Lizard Nobody. Candlewick Press.

Chicago / Turabian - Author Date Citation (style guide)

Patrick Ness. 2024. Chronicles of a Lizard Nobody. Candlewick Press.

Chicago / Turabian - Humanities Citation (style guide)

Patrick Ness, Chronicles of a Lizard Nobody. Candlewick Press, 2024.

MLA Citation (style guide)

Patrick Ness. Chronicles of a Lizard Nobody. Candlewick Press, 2024.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.

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Grouped Work ID:
7d9eda75-3723-9066-fb1c-12d25e975a96
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Date Added:
Sep 12, 2024 18:11:38
Date Updated:
Sep 12, 2024 18:11:38
Last Metadata Check:
Aug 10, 2025 08:23:55
Last Metadata Change:
Jun 22, 2025 08:10:04
Last Availability Check:
Aug 10, 2025 08:23:55
Last Availability Change:
Aug 03, 2025 15:17:52
Last Grouped Work Modification Time:
Aug 13, 2025 05:07:20

OverDrive Product Record

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        I was born on an army base called Fort Belvoir, near Alexandria, Virginia. But I only stayed there for the first four months of my life and have never even been back to the East Coast of America. Since then, I've lived in Hawaii, Washington, California, and England.
        I've only ever really wanted to be a writer. I studied English Literature at the University of Southern California, and when I graduated, I got a job as a corporate writer at a cable company in Los Angeles, writing manuals and speeches and once even an advertisement for the Gilroy, California, Garlic Festival. I got my first story published in Genre magazine in 1997 and was working on my first novel when I moved to London in 1999. I've lived here ever since. I taught Creative Writing at Oxford University for three years, usually to students older than I was. I write for one of the U.K. national papers, and I've also been writer in residence for Booktrust. Anything and everything to do with writing, that's how I want to make my life.
        I made up stories all the time when I was young, though I was usually too embarrassed to show them to anybody. That's okay if you do that; when you're ready, you're ready. The important thing is to keep writing.
        For young adults, I've written A Monster Calls, More Than This, and the Chaos Walking trilogy: The Knife of Never Letting Go, The Ask and The Answer, and Monsters of Men. I've also written two books for adults, a novel called The Crash of Hennington and a short story collection called Topics About Which I Know Nothing, a title that seemed funny at the time but less so 10,000 mentions later.
        Here's a helpful hint if you want to be a writer: When I'm working on a first draft, all I write is 1,000 words a day, which isn't that much (I started out with 300, then moved up to 500, now I can do 1,000 easy). And if I write my 1,000 words, I'm done for the day, even if it only took an hour (it usually takes more, of course, but not always). Novels are anywhere from 60,000 words on up, so it's possible that just sixty days later you might have a whole first draft. The Knife of Never Letting Go is 112,900 words and took about seven months to get a good first draft. Lots of rewrites followed. That's the fun part, where the book really starts to come together just exactly how you see it, the part where you feel like a real writer.
        Three Things You Might Not Know About Me:
        1. I have a tattoo of a rhinoceros.
        2. I've run three marathons.
        3. Under no circumstances will I eat onions.

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title
Chronicles of a Lizard Nobody
fullDescription

From the best-selling author of A Monster Calls, this funny, wise middle-grade series explodes every stereotype—including what it means to be a hero—in a brilliant reptilian take on surviving school.
When Principal Wombat makes monitor lizards Zeke, Daniel, and Alicia hall monitors, Zeke gives up on popularity at his new school. Brought in as part of a district blending program, the monitor lizards were mostly ignored before. Reptiles aren't bullied any more than other students, but they do stick out among zebras, ostriches, and elk. Why would Principal Wombat make them hall monitors? Alicia explains that it's because mammals are afraid of being yelled (hissed) at by reptiles. The principal's just a good general, deploying her resources. Zeke balks, until he gets on the wrong side of Pelicarnassus. More than a bully, the pelican is a famed international supervillain—at least when his mother isn't looking. Maybe the halls are a war zone, and the school needs a hero. Too bad it isn't . . . Zeke. Smart, relatable, and densely illustrated in black and white for graphic appeal, this middle-grade series debut by a revered author returns to his themes of grief, bullying, and negotiating differences—but with zeal and comic relief to spare.

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From the best-selling author of A Monster Calls, this funny, wise middle-grade series explodes every stereotype—including what it means to be a hero—in a brilliant reptilian take on surviving school.
When Principal Wombat makes monitor lizards Zeke, Daniel, and Alicia hall monitors, Zeke gives up on popularity at his new school. Brought in as part of a district blending program, the monitor lizards were mostly ignored before. Reptiles aren't bullied any more than other students, but they do stick out among zebras, ostriches, and elk. Why would Principal Wombat make them hall monitors? Alicia explains that it's because mammals are afraid of being yelled (hissed) at by reptiles. The principal's just a good general, deploying her resources. Zeke balks, until he gets on the wrong side of Pelicarnassus. More than a bully, the pelican is a famed international supervillain—at least when his mother isn't looking. Maybe the halls are a...

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